I really, really want to buy the new REM record (yes, I still call them records- I’m a geezer, I admit it). I also really, really don’t want it to suck. But I’m not hopeful.
I don’t know what happened in 1991, maybe it was bad juju stemming from their fight with Peter Holsapple, maybe they just ran out of ideas. Did Bill Berry leaving take something away? My theory is that huge amounts of money mixed with universal critical acclaim generally produces crappy Rock and Roll.
Have they recorded one good song in the last 17 years? “What’s the Frequency Kenneth?” and “E-Bow the Letter”, just ain’t making it folks.
REM meant quite a lot to me, over the years. Growing up on Long Island in the 70’s , I had been bombarded with 70’s Classic Rock, mostly supplied by WBAB. This was back when Stairway To Heaven was considered the greatest rock and roll song of all time, and Southern Rock (just typing it makes me want to retch), was at the top of the charts. About halfway through my senior year of High School, I tuned into this radio station that was playing stuff that was completely different, WLIR. While the AOR stations were not only playing the same songs, but even playing them at the same time EVERY FREAKING DAY, ‘LIR was playing Blondie, The Clash, The Ramones, and every once in a while these guys from Athens Georgia. I was so bored with pop music and suddenly there was something new and alive- some if it was actually intelligent too.
My friend Pete was really the first one who turned me onto REM in a big way. He even bought a 12-string and could do the opening riff to Pretty Persuasion. It took me about a year to admit I had no idea what their lyrics were about, then I found out that the guys in the band probably didn’t understand all the lyrics. Who cares, it still sounded great. I was lucky enough to catch them live a few times, including once in the Onondaga War Memorial. Michael Stipe wore a dress- a Lenny Bruce inspired tribute to the anti-war movement. I had a hunch that the band would be staying a few blocks away at the Hotel Syracuse and I was right. Have to confess to a HUGE fanboy rush when Peter Buck and Michael both responded politely when I complemented them on the show.
For me they may have hit their peak at the MTV Unplugged session they did back in 1991. I recorded it onto a VCR and a cassette, then later bought a bootleg CD of the show from some company in Singapore. If I remember correctly I actually mailed them cash. Since I have bought at least half a dozen of their albums twice, once on vinyl again on CD, I don’t feel too guilty about cheating them out of royalties just that once. Mills, Stipe, Berry and Buck (along with Peter Holsapple) played a fabulous mix of newer and older tunes. Perfect Circle can still get me choked up, even though I can’t articulate why. My wife and I danced to their cover of “Love Is All Around” at our wedding.
And it’s been downhill ever since.
After all this blather I’ll probably still take a chance and download the new album from I-Tunes. I may even spring for the extended version with some live tracks. Fanboy wins over the cynic in me--- this time.
I don’t know what happened in 1991, maybe it was bad juju stemming from their fight with Peter Holsapple, maybe they just ran out of ideas. Did Bill Berry leaving take something away? My theory is that huge amounts of money mixed with universal critical acclaim generally produces crappy Rock and Roll.
Have they recorded one good song in the last 17 years? “What’s the Frequency Kenneth?” and “E-Bow the Letter”, just ain’t making it folks.
REM meant quite a lot to me, over the years. Growing up on Long Island in the 70’s , I had been bombarded with 70’s Classic Rock, mostly supplied by WBAB. This was back when Stairway To Heaven was considered the greatest rock and roll song of all time, and Southern Rock (just typing it makes me want to retch), was at the top of the charts. About halfway through my senior year of High School, I tuned into this radio station that was playing stuff that was completely different, WLIR. While the AOR stations were not only playing the same songs, but even playing them at the same time EVERY FREAKING DAY, ‘LIR was playing Blondie, The Clash, The Ramones, and every once in a while these guys from Athens Georgia. I was so bored with pop music and suddenly there was something new and alive- some if it was actually intelligent too.
My friend Pete was really the first one who turned me onto REM in a big way. He even bought a 12-string and could do the opening riff to Pretty Persuasion. It took me about a year to admit I had no idea what their lyrics were about, then I found out that the guys in the band probably didn’t understand all the lyrics. Who cares, it still sounded great. I was lucky enough to catch them live a few times, including once in the Onondaga War Memorial. Michael Stipe wore a dress- a Lenny Bruce inspired tribute to the anti-war movement. I had a hunch that the band would be staying a few blocks away at the Hotel Syracuse and I was right. Have to confess to a HUGE fanboy rush when Peter Buck and Michael both responded politely when I complemented them on the show.
For me they may have hit their peak at the MTV Unplugged session they did back in 1991. I recorded it onto a VCR and a cassette, then later bought a bootleg CD of the show from some company in Singapore. If I remember correctly I actually mailed them cash. Since I have bought at least half a dozen of their albums twice, once on vinyl again on CD, I don’t feel too guilty about cheating them out of royalties just that once. Mills, Stipe, Berry and Buck (along with Peter Holsapple) played a fabulous mix of newer and older tunes. Perfect Circle can still get me choked up, even though I can’t articulate why. My wife and I danced to their cover of “Love Is All Around” at our wedding.
And it’s been downhill ever since.
After all this blather I’ll probably still take a chance and download the new album from I-Tunes. I may even spring for the extended version with some live tracks. Fanboy wins over the cynic in me--- this time.
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